Install this theme
Untitled (Violet, Black, Orange, Yellow on White and Red), 1949
“It is clear that Rothko hoped to harness the grandeur of religious painting. The principles of frontality and iconic imagery in his mature works are common to traditional altarpieces, and both formats have similar dimensions and proportions. Often larger than a human being, Rothko’s canvases inspire the kind of wonder and reverence traditionally associated with monumental religious or landscape painting.”
- Jennifer Blessing From the Guggenheim website

Untitled (Violet, Black, Orange, Yellow on White and Red), 1949

“It is clear that Rothko hoped to harness the grandeur of religious painting. The principles of frontality and iconic imagery in his mature works are common to traditional altarpieces, and both formats have similar dimensions and proportions. Often larger than a human being, Rothko’s canvases inspire the kind of wonder and reverence traditionally associated with monumental religious or landscape painting.”

Jennifer Blessing From the Guggenheim website

 
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