Both paintings belong to the National Gallery of Art in Washington D.C.
“He [Rothko] aimed for the most extraordinary level of impact, with the most minimal of means. According to Kuh, he found most painters of the past - apart from Turner and Rembrandt - “slightly distasteful”. He felt, although his work looked very unlike Rembrandt’s, that he shared the same aim as the great Dutchman, “a maximum of poignancy”.”
- From “The Mysterious Tragedy at the Heart of Rothko’s Tranquil Masterpiece” by Martin Gayford. Published by the Telegraph in 2008