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Both paintings belong to the National Gallery of Art in Washington D.C.

“He [Rothko] aimed for the most extraordinary level of impact, with the most minimal of means. According to Kuh, he found most painters of the past - apart from Turner and Rembrandt - “slightly distasteful”. He felt, although his work looked very unlike Rembrandt’s, that he shared the same aim as the great Dutchman, “a maximum of poignancy”.”

From “The Mysterious Tragedy at the Heart of Rothko’s Tranquil Masterpiece” by Martin Gayford.  Published by the Telegraph in 2008


 
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